Written by Stephanie Bell
Sherlock fans were treated to a thrilling roller coaster ride on New Year’s Day with the much-anticipated walk down the aisle of “The Abominable Bride.” Here are some questions we had after watching this beautifully executed episode a few times.
We may have a year or more until Series Four debuts to dissect the Victorian-set special, so let’s get started! Beware: Spoilers!
5. Are Mycroft and Sherlock BFFs now?
The relationship between Mycroft and his younger brother has always been fraught with tension, and at times, outright hostility. In “The Abominable Bride,” we see a shift in the dynamic between the brothers. Mycroft shows concern for Sherlock when he overdoses and asks John and Mary to take care of him. Is there a hidden agenda at work, or is Mycroft softening towards his younger sibling?
4. What was up with Mycroft’s notebook?
We got an intriguing and all-too-brief glimpse of Mycroft’s notebook containing information about Sherlock. What do some of the lesser known entries mean? We know that Redbeard was Sherlock’s beloved dog, but why is his name written in the notebook, and what do the other notations mean? For a more exhaustive discussion than we can include here, check out this fascinating subreddit, which includes theories on how the notebook’s contents could relate to time travel and how Redbeard’s death helped create the high-functioning sociopath.
3. Did the Bride represent Moriarty?
It would seem so, given that there were obvious parallels between the two—both shot themselves in the head and then appear to rise from the dead to commit a series of crimes. Sherlock digs up Emilia Ricoletti’s grave to see if the corpse substituted by the suffragists is buried there. Moriarty then appears in the bride’s dress, cementing the connection between the two. Does this mean that Moriarty really is dead, but before his death, set up a scheme to have other criminals commit crimes on his behalf (or disguised as him), as did the Bride and the suffragists? We’ll have to wait for Series Four to (hopefully) know for sure.
2. Is Moriarty really, really dead?
Sherlock’s comment that Moriarty is really dead seems to answer this question definitively. However, this wouldn’t be the first time that a story point seems certain, only to be reversed later. However it turns out, we loved seeing Andrew and Benedict back on screen together again!
1. Is Victorian Sherlock a mind palace invention of the modern-day Sherlock or vice-versa?
There were numerous shifts between the modern day and the Victorian era in “The Abominable Bride.” It seems that the Victorian Sherlock in “The Abominable Bride” is a construct in modern-day Sherlock’s mind palace, and that Sherlock used the Victorian setting as a tool to work out how Moriarty killed himself but came back.
There are clues early on in the episode that the Victorian sections are not real, such as when Victorian Mycroft references a “virus in the data,” an anachronistic term for the period. Another example is the Reichenbach Falls sequence, which “rights” Conan Doyle canon from a fan wish-fulfillment perspective: when Moriarty and Sherlock face off at the Falls, John is there to save Sherlock, rather than being called away by a ruse. Also, the scene where Sherlock falls/flies through the falls, mimicking how he jumped off the roof of St. Bart’s, is clearly fantasy.
Yet the final scene presents it the other way around, with Victorian Sherlock telling Watson of how he would feel at home in a future world with jet planes and hardrives. So which is the real one?
What were your questions after watching “The Abominable Bride”? Tell us in the comments!